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Anomalous Albums

posted Monday, 31 March 2008
Argus record cover I was listening to Planet Rock yesterday when I started to wonder about bands where one album is in a different league to the rest of their work.

Wishbone Ash is an obvious example: before Argus they were a fairly run of the mill British rock band with some interesting ideas; with Argus itself they hit a creative, coherent seam of genius; then they just faded away into an obscurity of bland US jazz-rock.

Or consider Al Stewart. As a singer-songwriter in a folkie style he was entertaining, but not really that special. Past, Present and Future suddenly showed that he had the potential for something more - Roads To Moscow is a fantastic track - but neither it nor the successor album Modern Times came close to realising that potential. Then he released Year of the Cat - the perfect Al Stewart album. And that was it - subsequent albums were, frankly, dull. It was as though he realised he'd done the best work he could do, so he had nothing left to aim for.

Or again - how about Meat Loaf. A fantastic first album, Bat Out Of Hell, then every other album an also-ran.

Yet there's a pile of other bands - Led Zeppelin and Black Sabbath spring to mind - where you can have a sensible argument over a pint of beer about which is their best album. You can make a case for any one of Zeppelin's first six; and comparing Paranoid, Sabbath Bloody Sabbath and Heaven and Hell has long been a kind of bottom-sniffing ritual for Sabbath fans. Pink Floyd had a clear peak (in my view) with Dark Side of the Moon, but Wish Year Were Here is in the same league, as is the flawed genius of The Wall and even, in rather different styles, The Division Bell and The Piper At The Gates Of Dawn.

The song that got me thinking about this was The Who's Baba O'Riley. I reckon that Who's Next is vastly superior to every other album The Who released but, if I'm honest, this is an opinion that I can't really stand up. I think there is a good case that this was The Who's best album, but it's not really in a different league to the rest. I just like the style a lot more than their other albums, but that's a different matter.

There must be a pile of other bands who excelled themselves on one album only (remember Budgie, anyone) - any thoughts?

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1. Spike left...
Monday, 31 March 2008 9:28 pm

Evanescence Fallen was good, Open Door sucked. Snow Patrol 'Eyes Open' was good, 'Final Straw' sucks

There are other's but I can't think of them off the top of my head I need to look them up.


2. Janine left...
Monday, 31 March 2008 9:32 pm :: http://baseline.blog-city.com

My goodness...you could even have that same argument over which Beatles album is the best!! Wait...did I see Beatles mentioned in that post? I'll have to read it again :)

I couldn't agree more with this post and some of the artists you mention---although, I will say that Meatloaf's music was a total turn off----perhaps just because you listen to some of the lyrics---like Dashboard----and you look at the man, try to get a mental image of it all and just want to throw up. I could never get into the whole Meatloaf scene---one good album or not.

Al Stewart---best song ever by him---Time Passages. Great tune. But, like you said, one album and he was 'done'.

Christopher Cross---I know he's still out there playing today but he will never have the fame like he did with his debut album. That album was sweet!!

Gosh...I could talk about music all day long. But, I've got too much to do for a Manic Monday. :)


3. BlackPhi left...
Tuesday, 1 April 2008 8:35 am :: http://blackphi.blog-city.com/

Spike, I couldn't agree more about Evanescence. From reading interviews over the years, it seems to me that they have completely lost the creative tension in their songwriting, along with the 'edge' that I always felt in Ben Moody's guitar playing.

Snow Patrol I don't know - I'll keep my eyes and ears peeled for the good stuff. "There are others but ..." - that's what I felt when I was thinking about this, but then I thought the best bet was to post and see what the experts say :-)

Hi Janine. Yep, the Beatles are another band where there were several good albums, in different styles. Many bands produce a mixture of good albums and not so good, but it just seems strange to me that a band can suddenly produce one great album, vastly better than anything else they've done, then go nowhere. I see your point on 'Dashboard Light' - I come at it from the other side, of course, and his co-singer (on the videos anyway) really doesn't create the same problem :-)

"Time Passages" - good tune, poor album (IMIHO - in my insufficiently humble opinion - of course). Christopher Cross - I wonder if there is a special case of this effect for debut albums. A kind of "I've been preparing for this for years and now I can say what I want to say" - followed by "now what do I do" for the second album?

I have to say that I don't really think The Bangles could be said to have had even one great album - although I do respect your right to think otherwise :-)


4. Spike left...
Tuesday, 1 April 2008 9:27 am

The Killers - Loved 'Hot Fuss', really didn't like 'Sam's Town' James Blunt - Loved 'Back to Bedlam' don't like 'All the lost souls'


5. Easy left...
Tuesday, 1 April 2008 11:20 am :: http://brokedownpalace.blog-city

I have to respectfully disagree about the best album from The Who. Quadrophenia is far and away their best album, both in terms of the musical quality and the implementation of an idea.

I have noticed that many artists hit a peak that they cannot get back to. Born In The USA for the Boss, A Night at the Opera and A Day at the Races for Queen, and Boston never really hit the same height that they did with their first album.

That's when it's really tragic. A debut album that's so good an artist can never get back there. Hootie and the Blowfish come leaping to mind here.


6. BlackPhi left...
Friday, 4 April 2008 3:22 pm :: http://blackphi.blog-city.com/

Yeah, The Who were a bit odd in terms of who likes their albums. I think maybe it's down to their penchant for concept albums/rock operas. To me, both Tommy and Quadrophenia are typical overblown double-concept-albums, whereas to very many commentators they are works of genius (Quad'ia more so than Tommy). Strokes for folks, I guess (or should that be different horses, different courses?) :)

It'll be interesting to see where the Killers go next. I quite like Sam's Town, but it is a fair bit less exciting than their debut. James Blunt? I can't really say - I've got a Y chromosome so I'm bound to think all his albums are rubbish. (Ducks)

I've never really got into Hootie & The Blowfish - maybe I should give their first album a listen, then.